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The
Virtual Mummy |
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by
Sarah Underhill Wisseman
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The
Virtual Mummy by
Sarah Underhill Wisseman
is a brief and
accessible introduction to the latest nondestructive techniques used
in mummy studies. Wisseman tells the story of "Lazarus,"
the only human mummy held by the Spurlock Museum (at the
University of Illinois at Urbana-Champaign). Acquired
in 1989 from a private collection, the mummy was something of a
mystery. Clearly the mummy originated in Fayum (though without any
provenance giving the details of its discovery or recovery) and had been made during the Roman
Era of Egyptian history. However, no one was certain whether the somewhat
faded cartonnage contained a male or female mummy. The
various studies and tests conducted on the mummy were:
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an
examination of the wrappings, including the face portrait (a
badly faded painting of a child with curly hair, best visible
under ultraviolet light). One conclusion: the Spurlock mummy
came from a wealthy family "that could afford one of the
better mummification treatments for the period."
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x-rays
which revealed a possible bone fractures (jaw and ribs) and the
age of the mummy. One conclusion: the mummy was a child (baby
teeth and unfused growth plates helped determine this). The
child was between the ages of 7 and 9 at death and had grown to
about 4 feet in height. Because the child was so young, however,
gender (usually assessed by the shape of pelvic bones) could not
be determined.
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CT-scans
which clarified that the child's jaw was not fractured (but did
reveal a fracture at the base of the skull and that the ribs had
been broken (though possibly after death). The CT-scan also
provided a surprise: a board, placed under the full length of
the body. had been wrapped up with the mummy as well.
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facial
reconstruction using CT-scan data. This computer-generated
reconstruction gave a lifelike
recreation of the child's face at the time of death; researchers
also aged the child in a second reconstruction to the age of 18.
(Note: the reconstruction is part of the museum display now.)
One conclusion: the data indicated a mixed race child.
An
examination of physical remains, however, provided a wealth of
information. At the foot end of the mummy, the wrappings were loose;
investigators were able to take microscopic pieces of cloth, wood,
bone, resin and insects for examination. They found the following:
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the
wooden board was made from a cedar tree, commonly found in North
Africa. They discovered that the board may have been recycled,
since the radiocarbon date of the wood tested 300 years earlier
than the date of the mummy.
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resin
used in the mummification process was pine pitch (though they
could not identify the specific type of pine tree).
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insects
found where flesh-eating beetles. Wisseman notes that "the
body was not in pristine condition when the embalming procedures
were initiated."
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three
types of textiles were found. The outermost cloth was heavy and
coarsely woven; the innermost was the lightest and most tightly
woven. The outer cloth appeared to be ramie (which Wiseman notes
"contains non-fibrous material that is toxic to bacteria
and fungi"-- in other words, an ideal textile for
mummymaking). The inner two cloth types were linen (made from
flax).
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the
child's bones revealed that two staples of her or his diet were
bread and onions.
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DNA
tests were inconclusive.
The book
ends with a brief look at the future of mummy studies.
Overall, Wisseman does
an excellent job of summarizing the study of the Spurlock mummy. A
bibliography points out further articles that provide more depth and
detail. As such, this book is ideal for the reader who wants a guide
to
the main findings, and upper elementary and
middle school researchers might find its readable scientific
discussions helpful in completing a mummy report or project as well.
Finally, it would be a particularly invaluable
resource for any educational groups visiting the museum.
I have
only two minor quibbles with the book: First, the book begins and ends
with a reference to the "Austrian Iceman." Since Ötzi was
found (and now also resides) in Italy, it is something of an
oversight to
refer to him this way; it might have been more appropriate to use
the term "Tyrolean Iceman" or simply "Iceman"
and ignore the geography and politics. Second, the annotated
bibliography is not well-annotated. In fact, only 17 of the 59
entries include any additional information. As such, it feels
neglected, almost an afterthought.
These
two minor glitches, though, don't detract from an otherwise
excellent addition to the subject of mummy studies. 66 pages, 9 color
plates, 33 black and white illustrations. Highly
recommended.
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